Course Modules

Welcome to myCourses

Welcome to myCourses Welcome to myCourses

Page

Getting Started using myCourses for Students Getting Started using myCourses for Students 1

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Page

myCourses Technical Support for Students myCourses Technical Support for Students 2

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Readings

Readings Readings

Attachment

Carroll - What is Cinema.pdf Carroll - What is Cinema.pdf 0

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Attachment

Scruton - Photography and Representation.pdf Scruton - Photography and Representation.pdf 1

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Attachment

Lopes - Aesthetics of Photographic Transparency.pdf Lopes - Aesthetics of Photographic Transparency.pdf 2

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Attachment

Currie - Visible Traces.pdf Currie - Visible Traces.pdf 3

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Attachment

Carroll - Fiction, Non-Fiction.pdf Carroll - Fiction, Non-Fiction.pdf 4

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Attachment

Gaut - Identification and Emotion in Narrative Film.pdf Gaut - Identification and Emotion in Narrative Film.pdf 5

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Attachment

Gaut - Paradox of Horror.pdf Gaut - Paradox of Horror.pdf 6

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Attachment

Wood - The American Nightmare- Horror in the 1970s.pdf Wood - The American Nightmare- Horror in the 1970s.pdf 7

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Attachment

Carroll - Evaluation.pdf Carroll - Evaluation.pdf 8

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Attachment

Wilde - Art for Arts Sake.pdf Wilde - Art for Arts Sake.pdf 9

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Attachment

Tolstoy - What Is Art.pdf Tolstoy - What Is Art.pdf 10

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Attachment

Devereaux - Beauty and Evil.pdf Devereaux - Beauty and Evil.pdf 11

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Attachment

Longino - Pornography Oppression Freedom.pdf Longino - Pornography Oppression Freedom.pdf 12

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Attachment

Wicclair - Pornography and Censorship.pdf Wicclair - Pornography and Censorship.pdf 13

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Attachment

Brabandt & Prinz - Why Do Porn Films Suck.pdf Brabandt & Prinz - Why Do Porn Films Suck.pdf 14

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Attachment

Kupfer - Film Criticism and Virtue Theory.pdf Kupfer - Film Criticism and Virtue Theory.pdf 15

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Attachment

Abad - Groundhog Day.pdf Abad - Groundhog Day.pdf 16

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Attachment

Gaut - Film Authorship and Collaboration.pdf Gaut - Film Authorship and Collaboration.pdf 17

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Attachment

Gaut - Cinematic Narration.pdf Gaut - Cinematic Narration.pdf 18

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Attachment

Carroll - Memento and the Phenomenology of Comprehending Motion Picture Narration.pdf Carroll - Memento and the Phenomenology of Comprehending Motion Picture Narration.pdf 19

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Attachment

Wilson - Transparency and Twist in Narrative Fiction Film.pdf Wilson - Transparency and Twist in Narrative Fiction Film.pdf 20

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Attachment

Benjamin - Work of Art in the Age of Mechanical Reproduction.pdf Benjamin - Work of Art in the Age of Mechanical Reproduction.pdf 21

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Attachment

Adorno - Enlightenment as Mass Deception.pdf Adorno - Enlightenment as Mass Deception.pdf 22

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Attachment

Adorno - Commitment.pdf Adorno - Commitment.pdf 23

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Attachment

Adorno - Transparencies on Film.pdf Adorno - Transparencies on Film.pdf 24

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Attachment

Mulvey - Visual Pleasure and Narrative Cinema.pdf Mulvey - Visual Pleasure and Narrative Cinema.pdf 25

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Attachment

Women and Film- A Discussion of Feminist Aesthetics.pdf Women and Film- A Discussion of Feminist Aesthetics.pdf 26

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Attachment

Evans & Gamman - Reviewing Queer Viewing.pdf Evans & Gamman - Reviewing Queer Viewing.pdf 27

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Attachment

Mayne - Female Authorship Reconsidered.pdf Mayne - Female Authorship Reconsidered.pdf 28

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Attachment

Diawara - Black Spectatorship.pdf Diawara - Black Spectatorship.pdf 29

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Attachment

hooks.pdf hooks.pdf 30

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Attachment

Kellner - Spike Lee's Morality Tales.pdf Kellner - Spike Lee's Morality Tales.pdf 31

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Attachment

Wartenberg - Film as Philosophy.pdf Wartenberg - Film as Philosophy.pdf 32

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Attachment

Hunt - Motion Pictures as a Philosophical Resource.pdf Hunt - Motion Pictures as a Philosophical Resource.pdf 33

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Attachment

Wartenberg - Arguing Against Utilitarianism.pdf Wartenberg - Arguing Against Utilitarianism.pdf 34

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Attachment

Grau - Eternal Sunshine.pdf Grau - Eternal Sunshine.pdf 35

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Driver - Eternal Sunshine.pdf Driver - Eternal Sunshine.pdf 36

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